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Virtually all the designs and patterns on the card have some significance. Along the top (see above) are 95% saturation colour bars in descending order of luminance—white, yellow, cyan, green, magenta, red, blue and black. [2] [3] There are triangles on each of the four sides of the card to check for correct overscanning of the picture.
Cheech Wizard is an American underground comics character created by artist Vaughn Bodē.Vaughn created Cheech Wizard on September 26, 1957, at the age of 15. He drew a hat with stars on it with legs sprouting out from beneath the oversized hat.
This work has been released into the public domain by its author, Mik81.This applies worldwide. In some countries this may not be legally possible; if so: Mik81 grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
He was born Vaughn Bode on July 22, 1941. [5] In 1963, at age 21, and while living in Utica, New York, [6] Bodē self-published Das Kämpf, considered one of the first underground comic books. [7] Created after Bodē's stint in the U.S. Army, Das Kampf has been called "a war-themed spoof on Charles Schulz's 1962 book Happiness Is a Warm Puppy."
Use these free pumpkin carving patterns and stencils to create the best jack-o-lantern on the block. Choose from spooky, cute, and advanced templates. 60 Cute and Spooky Printable Halloween ...
Vaughn Bodē reputedly first drew the character Cobalt 60 on a piece of scratch paper in 1959. [citation needed] Nearly ten years later, in 1968, he wrote and drew a ten-page, black-and-white, pen-and-ink Cobalt 60 story for Ken Rudolph's sci-fi fanzine Shangri L'Affaires (a.k.a. Shaggy) #73.
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]