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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
Notoriously cheap to manufacture, the seat's origins are murky: Some trace it to designs by Canadian designer D.C. Simpson in 1946, others to Joe Colombo's 1960s Chair Universal 4867, and still ...
Directoire style (French pronunciation: [diʁɛktwaʁ] ⓘ) was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution.
The cabriole leg is the "most recognizable element" of Queen Anne furniture. [12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14]
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.
The furniture of Louis XIV was massive and lavishly covered with sculpture and ornament of gilded bronze in the earlier part of the personal rule of King Louis XIV of France (1660–1690). After about 1690, thanks in large part to the furniture designer André Charles Boulle , a more original and delicate style appeared, sometimes known as ...
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