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Silhouette. A silhouette (English: / ˌsɪluˈɛt /, [1] French: [silwɛt]) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light ...
File:Human body silhouette.svg. Size of this PNG preview of this SVG file: 264 × 599 pixels. Other resolutions: 106 × 240 pixels | 211 × 480 pixels | 338 × 768 pixels | 451 × 1,024 pixels | 903 × 2,048 pixels | 970 × 2,200 pixels. Original file (SVG file, nominally 970 × 2,200 pixels, file size: 24 KB) Wikimedia Commons Commons is a ...
Trochlear nerve (cranial nerve 4) – eye rotation. Trigeminal nerve (cranial nerve 5) – sensation from the face and certain motor functions such as biting and chewing. Abducens nerve (cranial nerve 6) – certain eye rotation. Facial nerve (cranial nerve 7) – facial expression and taste sensations from the tongue.
One example of a particular shadow person is the "Hat Man", who shares the characteristics of general shadow people but is named for a fedora or other brimmed hat on his head. Descriptions of the Hat Man date back to as early as the late 2000s. [ 12 ]
In the human body, the central point is the navel. If a man is placed flat on his back, with his hands and feet extended, and a compass centered at his navel, his fingers and toes will touch the circumference of a circle thereby described. And just as the human body yields a circular outline, so too a square may be found from it.
A version of Rubin's vase. Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin. [1]
Human Shadow Etched in Stone (人影の石, hitokage no ishi)[2] is an exhibition at the Hiroshima Peace Memorial Museum. It is thought to be the shadow of a person who was sitting at the entrance of Hiroshima Branch of Sumitomo Bank when the atomic bomb was dropped over Hiroshima. It is also known as Human Shadow of Death[1] or simply the ...
As in other Mannerist works, the proportions of the body – here the neck – are exaggerated for artistic effect. Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become ...