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The Poem of the Man-God (Italian title: Il Poema dell'Uomo-Dio) is a work on the life of Jesus Christ written by Maria Valtorta. The current editions of the work bear the title The Gospel as Revealed to Me. The work was first published in Italian in 1956 and has since been translated into many languages.
[1] [2] [3] It is an effort to rationalize or rather "vindicate the ways of God to man" (l.16), a variation of John Milton's claim in the opening lines of Paradise Lost, that he will "justifie the wayes of God to men" (1.26). [4] It is concerned with the natural order God has decreed for man.
"The Collar" is a poem by Welsh poet George Herbert published in 1633, and is a part of a collection of poems within Herbert's book The Temple. [1] The poem depicts a man who is experiencing a loss of faith and feelings of anger over the commitment he has made to God.
It is possible for man to become like God, to become deified, to become god by grace. This doctrine is based on many passages of both OT and NT (e.g. Ps. 82 (81).6; II Peter 1.4), and it is essentially the teaching both of St Paul, though he tends to use the language of filial adoption (cf. Rom. 8.9—17; Gal. 4.5—7), and the Fourth Gospel ...
[18] Other authors stated: "For this is why the Word became man, and the Son of God became the Son of man: so that man, by entering into communion with the Word and thus receiving divine sonship, might become a son of God." [19] "For He was made man that we might be made God." [20] "The only-begotten Son of God, wanting to make us sharers in ...
Moses is the only person called “man of God” in the Torah. The angel of the Lord who appeared to Samson's mother (Judges 13:6, 8) whom she may have taken to be a prophet (Leviticus Rabbah 1:1) The man who chastised the Priest Eli (1 Samuel 2:27) whom Sifre identifies as Samuel's father Elkanah (Sifre to Deuteronomy 342:4) Samuel (1 Samuel 9 ...
Cur Deus Homo? (Latin for "Why [Was] God a Human?"), usually translated Why God Became a Man, is a book written by Anselm of Canterbury in the period of 1094–1098.In this work he proposes the satisfaction view of the atonement.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...