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As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, which begins Ancient Greek pottery proper. [citation needed] The rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period.
The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by Athens and produced, in Attica and Central Greece, between roughly 1025 and 900 BCE, [1] [2] [3] during the Greek Dark Ages. [4]
The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
The History of Greek Vases: Potters, Painters, Pictures. New York: Thames & Hudson. MacGillivray, J.A. 1998. Knossos: Pottery Groups of the Old Palace Period BSA Studies 5. (British School at Athens) ISBN 0-904887-32-4 Bryn Mawr Classical Review 2002; Preziosi, Donald, and Louise A. Hitchcock. 1999. Aegean Art and Architecture.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Representations of Gigantomachy, Centauromachy, or Amazonomachy were quite common during the High Classical Period: depictions of the Olympian gods triumphing over outsider societies were a metaphor of the Athenian victory over the Persians, and their subsequent supremacy over Greece. [3]
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
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