Search results
Results from the WOW.Com Content Network
El derecho de nacer (English: The Right to Be Born) is a Mexican telenovela produced by Carlos Sotomayor for Televisa. [1] It aired on Canal de las Estrellas from February 5, 2001 to May 25, 2001. It is a remake of the popular 1981 telenovela of the same name . The series stars Kate del Castillo, Saúl Lisazo, Diana Bracho, Carlos Bracho, Maite ...
Chaima Toumi (born 23 September 2003) is a Tunisian taekwondo practitioner. She won gold at the 2023 African Games and competed at the 2024 Summer Olympics. Career
Dulce desafío (English title: Sweet challenge) is a Mexican telenovela produced by Julissa and Eugenio Cobo for Televisa in 1988. [1]Adela Noriega and Eduardo Yáñez starred as protagonists, while Chantal Andere, Sergio Klainer and Mercedes Olea starred as antagonists.
La Fea Más Bella was the soap opera with the most watched finale in the history of Mexico, with a growing audience. [2] [3] In his last chapter, the audience of 43 points (62.8 nationally) and 19 million 200 thousand people from Media (19,200,000 viewers), overcame the transmission of Oscar 2007 with 9 points (14.9 in every country), displayed at the same time by TV Azteca.
1-800-358-4860. Get live expert help with your AOL needs—from email and passwords, technical questions, mobile email and more.
El derecho de nacer (1981 TV series) El derecho de nacer. (1981 TV series) El derecho de nacer (English title: The right to be born) is a Mexican telenovela produced by Ernesto Alonso for Televisa in 1981. Based on the Cuban radionovela of the same name written by Félix B. Caignet adapted for TV by Fernanda Villeli and directed by Raúl Araiza.
Alborada (English: The Dawning) is a Mexican telenovela produced by Carla Estrada for Televisa in 2005. [1] It is a historical drama set in colonial Panama and Mexico a few years before the Mexican Independence from Spain.
In Y tu mamá también, Alfonso Cuarón reimagined the American road movie genre to depict Mexico's geography, politics, people, and culture. [13] Cuarón wanted to use the road-film genre to challenge mid-20th century Latin-American Cinema movements that rejected the pleasure and entertainment typical of Hollywood commercial cinema created by ...