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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity .
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [ 1][ 2] also called a nimbus, aureole, glory, or gloriole ( Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [ 3] that surrounds a person in works of art. The halo occurs in the iconography of many ...
The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy, and so is widely ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm ...
It was common in Late Antique art in both East and West, and remained the main way of depicting the actions or approval of God the Father in the West until about the end of the Romanesque period. It also represents the bath Kol (literally "daughter of a voice") or voice of God, [ 4] similar to Jewish depictions.
In The Vatican Museum in Rome is a carved stone sarcophagus depicting the Holy Trinity as three bearded men during the creation of Eve. [6] The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ.
A white elephant at the Amarapura Palace in 1855. The British East Africa Company came to regard Uganda as a white elephant when internal conflict made administration of the territory impossible. The term derives from the sacred white elephants kept by Southeast Asian monarchs in Burma, Thailand (Siam), Laos and Cambodia. [ 2]
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