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Beowulf: A New Verse Translation (also known as Heaneywulf [1]) is a verse translation of the Old English epic poem Beowulf into modern English by the Irish poet and playwright Seamus Heaney. It was published in 1999 by Farrar, Straus, and Giroux and Faber and Faber , and won that year's Whitbread Book of the Year Award .
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
Seamus Heaney's 1999 translation of the poem (Beowulf: A New Verse Translation, called "Heaneywulf" by the Beowulf translator Howell Chickering and many others [102]) was both praised and criticised. The US publication was commissioned by W. W. Norton & Company , and was included in the Norton Anthology of English Literature .
Title page of Beowulf: The Monsters and the Critics, 1936 "Beowulf: The Monsters and the Critics" was a 1936 lecture given by J. R. R. Tolkien on literary criticism on the Old English heroic epic poem Beowulf. It was first published as a paper in the Proceedings of the British Academy, and has since been reprinted in many collections.
A complicating factor is that Beowulf scholarship has been affected by nationalist thinking in various countries. [44] [45] Heaney, a Catholic poet from Northern Ireland (often called "Ulster"), could domesticate Beowulf to the old rural dialect of his childhood family only at the risk of being accused of cultural appropriation.
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
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"Beowulf: The Monsters and the Critics" looks at the critics' understanding of Beowulf, and proposes instead a fresh take on the poem. "On Translating Beowulf " looks at the difficulties in translating the poem from Old English. "On Fairy-Stories", the 1939 Andrew Lang lecture at St Andrew's University, is a defence of the fantasy genre.