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"Break Every Chain" is a song performed by American recording artist Tasha Cobbs ... The official lyric video for the song contains over 100,009,153 views million ...
She released the extended play Grace in 2013 with the hit lead single "Break Every Chain". The EP reached No. 61 on the Billboard charts. At the 56th Annual Grammy Awards, Cobbs won the Grammy for Best Gospel/Contemporary Christian Music Performance. She has also won 15 Stellar Awards, 3 Billboard Music Awards, and 9 Dove Awards. [1]
Break Every Chain is a 2021 American Christian biographical drama film directed and co-written by Tim Searfoss and based on the autobiographical novel of the same name by Jonathan Hickory. The film stars Ignacyo Matynia as Hickory, along with Dean Cain and Krystian Leonard. [1]
On March 26, 2021, Elevation Worship and Maverick City Music announced that they were releasing "Jireh" featuring Chandler Moore and Naomi Raine, along with its accompanying music video, as the first promotional single from their collaborative live album, Old Church Basement. [8] The album is slated to be released on April 30, 2021. [9]
The videography and filmography of British singer, songwriter and pianist Elton John consists of 183 music videos and 17 video albums.. Since 1970, John has continually released promotional music videos, beginning with "Your Song" and only sporadically releasing videos thereafter.
"Breaking the Chains" is a song by American heavy metal/glam metal band Dokken, appearing on the band's debut album of the same name. The song was originally released as a single "Breakin' the Chains" in 1981 through Carrere Records exclusively in Europe, appearing as the B-side to the "I Can't See You" single. [3] "
"Break the Chain" is a song by Japanese rock band Tourbillon, and was the band's fifth and final single. It was released a year-and-a-half following the release of their second album A Tide of New Era , [ 1 ] and was used as the opening theme for the 2008 television series Kamen Rider Kiva . [ 2 ]
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [4]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."