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Alyssa Lyra Pitstick, Light in Darkness: Hans Urs von Balthasar and the Catholic Doctrine of Christ's Descent into Hell (Grand Rapids (MI), Eerdmanns, 2007). Gavin D'Costa, "Part IV: Christ’s Descent into Hell", in Idem, Christianity and World Religions: Disputed Questions in the Theology of Religions (Oxford, Wiley-Blackwell, 2009),
Hell is an oil-on-panel painting executed after 1490 by the Dutch artist Hieronymus Bosch. It is currently in the Gallerie dell'Accademia in Venice, Italy. [1] This painting is part of a series of four. The others are Ascent of the Blessed, Terrestrial Paradise and Fall of the Damned into Hell.
The Catechism of the Catholic Church describes Christ's descent into Hell as meaning primarily that "the crucified one sojourned in the realm of the dead prior to his resurrection. This was the first meaning given in the apostolic preaching to Christ's descent into Hell: that Jesus, like all men, experienced death and in his soul joined the ...
Fall of the Damned into Hell is a painting by the Early Netherlandish artist Hieronymus Bosch made sometime before 1490. It is currently in the Gallerie dell'Accademia in Venice, Italy. [1] This painting is part of a four-panel polyptych; the others are Ascent of the Blessed, Terrestrial Paradise and Hell.
Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper. Judgment: Christ is shown in glory while angels awake the dead; Hell: demons torment sinners according to their sins.
Hieronymus Bosch's first name was originally Jheronimus (or Joen, [8] respectively the Latin and Middle Dutch form of the name "Jerome"), and he signed a number of his paintings as Jheronimus Bosch. [9] His surname Bosch derives from his birthplace, 's-Hertogenbosch ('Duke's forest'), which is commonly called "Den Bosch" ('the forest'). [10]
The phrase “angry woman” is bandied around as some kind of insult; spat out in the same breath as “angry feminist” or “bra burner” or “calm down, dear”.
The reverse side of the panel has another painting on it, Christ Child with a Walking Frame (diameter 28 cm). Christ Carrying the Cross (Ghent) c. 1530–1540 Oil on wood 74 × 81 cm Museum voor Schone Kunsten, Ghent, Belgium Bosch's authorship is disputed. Christ Carrying the Cross (Escorial) c. 1495–1505 Oil on wood 150 × 94 cm El Escorial ...
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