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The "Washington Upright Poles" are the most decorative, and are designated the 14, 16, 18, 716, and Twin-20. [a] The Number 16 pole (which cost $5,000 in 2013) is the most commonly used Upright Pole. The 716 is a less expensive ($2,500 in 2013) version of the 16 pole. The slightly more decorative 18 pole is generally used only in the downtown area.
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
Most of the interior decorative elements have Christian symbolism, in reference to the church's Episcopal roots, but the cathedral is filled with memorials to persons or events of national significance: statues of Washington and Lincoln, state seals embedded in the marble floor of the narthex, state flags that hang along the nave, stained glass ...
Postmodern architecture is a broadly defined architectural style that emphasizes the use of glass, large windows, and generally greater variety of form than Modernism allowed for. Because of the broad definition of this type of architecture, many buildings built in Washington, D.C., in the latter decades of the 20th century through recent years ...
Logo of the Washington Glass School. The Washington Glass School was founded [1] in 2001 by Washington, DC area artists Tim Tate and Erwin Timmers. The school teaches classes [2] on how to make kiln cast, fused, and cold worked glass sculptures and art. It is the second largest warm glass school in the United States. [3] [4]
The Belcher Mosaic Glass Company’ first catalogue was published in 1886 and features a foreword written by stained glass designer Caryl Coleman, brother of American artist Charles Caryl Coleman. [10] In his writing, Coleman commends the use of glass in the decorative arts in the United States during the second half of the nineteenth century.
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