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Biscuit porcelain, bisque porcelain or bisque is unglazed, white porcelain treated as a final product, [1] [2] with a matte appearance and texture to the touch. It has been widely used in European pottery , mainly for sculptural and decorative objects that are not tableware and so do not need a glaze for protection.
The fired body is naturally white but usually stained with metallic oxide colors; its most common shade is pale blue, but dark blue, lilac, sage green (described as "sea-green" by Wedgwood), [9] black, and yellow are also used, with sage green due to chromium oxide, blue to cobalt oxide, and lilac to manganese oxide, with yellow probably coming ...
A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...
African red slip ware: moulded Mithras slaying the bull, 400 ± 50 AD.. A slip is a clay slurry used to produce pottery and other ceramic wares. [1] Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating ...
Chinese blue and white ware became extremely popular in the Middle-East from the 14th century, where both Chinese and Islamic types coexisted. [20] From the 13th century, Chinese pictorial designs, such as flying cranes, dragons and lotus flowers also started to appear in the ceramic productions of the Near-East, especially in Syria and Egypt. [21]
The collector market of blue and white underglaze porcelain is notable due to Orientalism's popularity in Europe. Counterfeiting operations have developed both in foreign areas and within China [22] to profit from the collectability of Ming and Qing dynasty blue and white porcelain. From the baroque period onward, there was a slight decline in ...
The technique of producing the new material was discovered by the Rouen potter Louis Poterat; [5] his licence to make "faience and porcelain" was taken out in 1673, signed by the king and Jean-Baptiste Colbert [8] The soft porcelain used blue designs of the type already used in the faiences of the period. [5] Dr.
Books and price guides have been published about Hummel figurines. [15] Some of these works supported the secondary market interest of collector speculators; The Official M.I. Hummel Price Guide: Figurines and Plates, 2nd Edition, by Heidi Ann Von Recklinghausen is a current price guide, published in 2013.
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