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The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Place of creation: Nuremberg : Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 7 (Grav.Cuivre) Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 7
Ecce Homo is a painting of the episode in the Passion of Jesus by the Early Netherlandish painter Hieronymus Bosch, painted between 1475 and 1485.The original version, with a provenance in collections in Ghent, is in the Städel Museum in Frankfurt; a copy is held the Museum of Fine Arts in Boston.
Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 31 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 101; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 75
The main figures are on a platform above the crowd, in front of a dark archway. Accompanied by armed guards, Pilate stands with a long staff, wearing an oriental turban and long gown, gesturing to the two prisoners who stand bound to the right. To the left is a scribe and youth with an ewer of water, ready for Pilate to wash his hands.
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