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The National Museum of African American History and Culture (NMAAHC), colloquially known as the Blacksonian, is a Smithsonian Institution museum located on the National Mall in Washington, D.C., in the United States. [4] It was established in 2003 and opened its permanent home in 2016 with a ceremony led by President Barack Obama.
This list of African American Historic Places in Washington, D.C., is based on a book by the National Park Service, The Preservation Press, the National Trust for Historic Preservation, and the National Conference of State Historic Preservation Officers.
This list of museums in Washington, D.C. encompasses museums defined for this context as institutions (including nonprofit organizations, government entities, and private businesses) that collect and care for objects of cultural, artistic, scientific, or historical interest and make their collections or related exhibits available for public viewing.
An exhibit at the National Museum of African American History and Culture. Museums not only collect and preserve historic and cultural material, their basic purpose is educational or aesthetic. The first African American museum was the College Museum in Hampton, Virginia, established in 1868. [2] Prior to 1950, there were about 30 museums ...
An archives devoted to the area of Anacostia was created in 1977. [6] The new Anacostia Museum was opened on May 17, 1987, located at Fort Stanton. [15] The name change stemmed from the change in the museum's mission, to celebrate African American history not only in Anacostia, but around the world. Long-time director John Kinard died in 1989. [16]
National Museum of African American History and Culture This page was last edited on 15 May 2016, at 08:46 (UTC). Text is ...
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Artworks commemorating African-Americans in Washington, D.C. is a group of fourteen public artworks in Washington, D.C., including the Martin Luther King, Jr. Memorial dedicated in 2011, that commemorate African Americans. [1] When describing thirteen of these that predate the King Memorial, Jacqueline Trescott wrote for The Washington Post: