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A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
Odo of Bayeux (died 1097) was Bishop of Bayeux in Normandy and was also made Earl of Kent in England following the Norman Conquest. He was the maternal half-brother of duke, and later king, William the Conqueror , and was, for a time, William's primary administrator in the Kingdom of England, although he was eventually tried for defrauding ...
If you create a single row template, it can easily be embedded in a different template with different scale. The single row template will be automatically cropped to fit the parent template. See how {{Geological eras}} and {{Geological periods}} are embedded in {{Extinction events graphical timeline}} Different browsers have different ways of ...
Bosham is named on the Bayeux Tapestry, but the exact location of Harold’s residence depicted on the embroidery has not been clear. Over the years, archaeologists had a hunch that a large house ...
Part of the Overlord Embroidery showing The Blitz. The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy.
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy , and Harold, Earl of Wessex, later King of England , and culminating in the Battle of Hastings .
Engravings from Stothard's drawings of the Bayeux Tapestry were made by James Basire, and published in 1823. [7] They show the complete tapestry, and were described by the art historian Eric Maclagan as "exquisite plates [which] still provide what is in many ways the most adequate representation of the original". [8]
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.