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The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
The effect is similar to the blur caused by panning in still photography. Carmine Infantino was one of the best known practitioners of motion lines, particularly in his illustration of Silver Age Flash comics. [5] [6] [7] The use of motion lines in art is similar to the lines showing mathematical vectors, which
A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [2] [4] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new life. [1]
The movement in the scene can be altered, or cameras set up on one side of the scene so that all the shots reflect the view from that side of the 180-degree line. [2] Another way to allow for crossing the line is to have several shots with the camera arching from one side of the line to the other during the scene.
Movement in Squares, by Bridget Riley 1961. Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
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Trained as an engineer and self-taught in photography, Gjon Mili was one of the first to use electronic flash and stroboscopic light to create photographs that had more than scientific interest. [1] Many of his images revealed the intricacy and flow of movement too rapid or complex for the naked eye to discern.
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