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An Alesis Micro Gate noise gate. A noise gate or simply gate is an electronic device or software that is used to control the volume of an audio signal.Comparable to a limiter, which attenuates signals above a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register below the threshold. [1]
The sound can be achieved in acoustically "live" or "dead" rooms, since all reverberation will be done inside the effects unit processor. The close mic sound is fed to the reverberation unit, then optionally to a compressor, and then to the noise gate's signal input. [16] The same sound from the close mic is fed to the noise gate's key input.
Without a noise gate, the microphone for a specific instrument such as the floor tom will also pick up signals from nearby drums or cymbals. With a noise gate, the threshold of sensitivity for each microphone on the drum kit can be set so that only the direct strike and subsequent decay of the drum will be heard, not the nearby sounds.
For example, in live sound reinforcement, a noise gate is often employed to mute or attenuate the microphone signal when the sound level falls below a certain threshold. This helps minimize the pickup of ambient noise and unwanted signals. 3. Radar systems: Signal gating plays a crucial role in radar systems, particularly in pulse-Doppler radar ...
A noise gate can be thought of as an extreme form of downward expansion as the noise gate make the quiet sounds (for instance: noise) quieter or even silent, depending on the floor setting. [2] Upward expansion makes the louder sounds above the threshold even louder.
Ducking here works through the use of a "side chain" gate. In other words, one track is made quieter (the ducked track) whenever another (the ducking track) gets louder. This may be done with a gate with its ducking function engaged or by a dedicated ducker. A typical application is to achieve an impression similar to the "pumping" effect. The ...
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The equipment for the techniques also varies from the bulky to the small and convenient. A-B techniques generally use two separate microphone units, often mounted on a bar to define the separation. X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder.
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