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"She Ain't in It" is a song written by Clint Daniels and Wynn Varble, and recorded by American country music artist Jon Pardi. It is the fourth single from his second album California Sunrise (2016). The song, telling of a brokenhearted man, was accompanied by a music video directed by Jim Wright.
The three wrote the song in March 2021. Originally, they were working on a different song when Whitters came up with the lyric "I'm everything she is and everything she ain't". The other two began adding lines and developed the song into "a putdown of the male character's current girlfriend". The recording features Tyndell singing harmony vocals.
"She's Not the Cheatin' Kind" is a song written by Ronnie Dunn and recorded by American country music duo Brooks & Dunn. It was released in August 1994 as the lead-off single from their album Waitin' on Sundown .
"She Ain't Your Ordinary Girl" is a song written by Robert Jason, and recorded by American country music group Alabama. It was released in June 1995 as the lead-off single to their album In Pictures .
Beyoncé’s new album “Cowboy Carter” arrives after what the Texas-born singer says was a five-year journey she embarked on after feeling rejected by the country music world. On her eighth ...
"She Got the Best of Me" reached number one on the Billboard Country Airplay chart dated October 27, 2018, becoming Combs' fourth consecutive number one single, and making him the first solo artist to send all of his or her first four singles to number one since the inception of Nielsen SoundScan in January 1990, and the third act to do so overall, behind Brooks & Dunn and Florida Georgia Line ...
"Marry Me" is a song recorded by American country music singer Thomas Rhett. It was released to country radio on November 20, 2017, via Valory Music Group as the third single from his third studio album, Life Changes (2017). [1] The song was written by Rhett, Jesse Frasure, Ashley Gorley and Shane McAnally. [2]
In her song “Bad Blood,” she sends a vindictive message to an ex-friend who “made a really deep cut.” The song originally debuted on Swift’s 2014 album, “1989.”