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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Year TV Series Song name(s) Music Director(s) Lyricist Co-singer(s) 1989 Kaash "Tum Dil Churate Ho solo "Tum Yaad Aate Ho" "Kitne Tanha The Hum" Kavita Krishnamurty
Kalyanji–Anandji were an Indian composer duo: Kalyanji Virji Shah (30 June 1928 – 24 August 2000) and his brother Anandji Virji Shah (born 2 March 1933). The duo are known for their work on Hindi film soundtracks, with many evergreen songs being composed by them.
Jeena To Hai: 1515 "Kitni Hansi Zindagi Hai" Pritha Majumdar: Utsav Anand: Naskar N 1516 "Madhosh Ho Rahi Hai" Meri Taaqat: 1512 "Tara Chamakta Tara" Sunitha: Pehli Nazar Ka Pyaar: 1508 "Dil Ki Betabiyon Ko" Shreya Ghoshal: Ali-Ghani: Shakeel Azmi, Nawab Arzoo 1509 "Kya Ho Raha Hai" Umeed-The Hope: 1513 "Jeevan Ka Safar" Solo: Ravindra Jain ...
Hum Anari Hain: 702 "Hey Tune Mujhe" Anand–Milind Sameer Kumar Sanu Hum Hain Kamaal Ke: 703 "Jhoom E Dil Vo Mera" Naresh Sharma Rani Malik S. P. Balasubrahmanyam 704 "Sun Sun Re Sajan" 705 "Agar Tum Humse" 706 "Bas Yahi Ji" Kumar Sanu 707 "Kitne Haseen Kitne Jawaan" solo Hum Hain Rahi Pyar Ke: 708 "Ghunghat Ki Aad Se" Nadeem-Shravan Sameer ...
Shaan performing at an IBM event IMPRINT 2008. This is a discography of Indian vocalist Shaan.He sings in many Indian languages including Hindi, Bengali, Marathi, Urdu,Tamil, Telugu, Kannada, Bhojpuri and many others.
"Na Hai Zameen, Na Aasman, Laaye Kahan Ho Humko" Amit Kumar Khule-Aam: 295 "Tujhko Maine Dil Diya Tujhse Maine Pyar Kiya" R. D. Burman: Gautam Roy Lambu Dada: 296 "Chhod Ke Na Ja" Rajesh Roshan: 297 "Chhod Ke"(Sad) 298 "Happy Birthday" 299 "Teri Zindagi Hai" Mere Sajana Saath Nibhana: 300 "Nakhre Dikha Ke Dil Ko Chur" Anand–Milind: Udit ...
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.