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The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. [1] The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic ...
The Trio pour hautbois, basson et piano (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since.
The spelling of oboe was adopted into English c. 1770 from the Italian oboè, a transliteration of the 17th-century pronunciation of the French name. The regular oboe first appeared in the mid-17th century, when it was called a hautbois. This name was also used for its predecessor, the shawm, from which the basic form of the hautbois was ...
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
The Sonate pour hautbois et piano, FP 185, is an oboe sonata by Francis Poulenc dating from 1962. The composer's last work, it is dedicated to the memory of Sergei Prokofiev . History
Left: a classical oboe by Harry Vas Dias. Center: a 'piston' oboe by Youenn Le Bihan. Right: a "hautbois rustique" oboe by Hervieux & Glet. The piston (Breton: pistoñ, English phonetic "pist-on") is a type of oboe invented by Breton musician, teacher, and luthier Youenn Le Bihan in 1983. [1]
In 1685, Charles II allowed the band to maintain 12 "hautbois" (oboe) players. [1] His death in 1685 was so significant for the band that until the Second World War, the Bass Drummer (known officially as The Regimental Timebeater), wore a black armband in mourning of the king's death. [2]
He began playing the oboe and musette (a bagpipe-like instrument commonly used in French baroque music) in the Paris Opera orchestra in the 1720s. After Jean Hotteterre's death in 1732, he took over his post in Les Grands Hautbois, the royal oboe band. He retired from the opera in July 1748, though returned occasionally to play the musette there.