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The home kit of North Vietnam was similar to the kit of the Soviet Union consisting of a red shirt, with the legend "VIET NAM DCCH" ("Democratic Republic of Vietnam") across the front in white, white shorts and white-red socks. The away kit was a white shirt with "VIET NAM DCCH" across the chest in red, red shorts and red-white socks.
A large white pentagram centered on a green field (2:3). Influences:?–1975: Flag of Khmer Mountain Tribes [48] A green field with a white star what has 16 rays charged in the left. ? Flag of the Front de Lutte du Kampuchea Krom (FLKK) Influences: 1964–1965: Flag of Republic of Central Highlands and Champa [49] Influences: 1962–1964
The pattern is based on the TAZ 90, and the black colour was replaced by a light brown, and is also designed to provide multispectral stealth properties (IR and radar). Telo mimetico: Woodland precursor: 1929: Italy, for shelter-halves, then uniforms. Oldest mass-produced camouflage pattern. [117] Tigerstripe: Tigerstripe: 1969 c.
Vietnam Inc. is a photographic book produced by Philip Jones Griffiths and published in 1971 by Collier Books in New York, in both hard and soft back. [1] It contains 266 black and white photographs most with captions, sympathetic to the civilian perspective of the South Vietnamese people during the Vietnam War .
The 1991 SEA tournament marked the re-integration of Vietnam into international football, with the senior Vietnam national team subsequently achieving moderate success in Southeast Asia and reaching the final round of FIFA World Cup qualification in 2022. Vietnam also reached the quarter-finals of the AFC Asian Cup twice, in 2007 and 2019.
Massillon Museum has new exhibits featuring coaching legend Paul Brown, Tiger football, vinyl records as art, and a 1951 jukebox. Admission is free.
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
The black-and-white Đám cưới chuột. According to the villagers, the making of tranh Đông Hồ painting was dated back to the 11th century during the reign of the Lý dynasty, while researchers propose that craftsmen began to print pictures in Đông Hồ village during the rule of Lê Kính Tông (1600–1619) of the Lê dynasty. [1]