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Former slave Wes Brady in Marshall, Texas, in 1937 in a photo from the Slave Narrative Collection. Slave Narratives: A Folk History of Slavery in the United States (often referred to as the WPA Slave Narrative Collection) is a collection of histories by formerly enslaved people undertaken by the Federal Writers' Project of the Works Progress Administration from 1936 to 1938.
Louisa Picquet (c. 1829, Columbia, South Carolina – August 11, 1896, New Richmond, Ohio) was an African American born into slavery. Her slave narrative, Louisa Picquet, the Octoroon, or, Inside Views of Southern Domestic Life, was published in 1861.The narrative, written by abolitionist pastor Hiram Mattison, details Picquet's experiences with subjects like sexual violence, Christianity, and ...
I Belong to South Carolina: South Carolina Slave Narratives. University of South Carolina Press. Hill Edwards, Justene (2021). Unfree Markets: The Slaves' Economy and the Rise of Capitalism in South Carolina. Columbia Studies in the History of U.S. Capitalism. New York: Columbia University Press. ISBN 978-0-231-54926-4. LCCN 2020038705.
The development of slave narratives from autobiographical accounts to modern fictional works led to the establishment of slave narratives as a literary genre.This large rubric of this so-called "captivity literature" includes more generally "any account of the life, or a major portion of the life, of a fugitive or former slave, either written or orally related by the slave himself or herself". [4]
Jesmyn Ward, a two-time National Book Award winner, turns to the antebellum South in her new novel "Let Us Descend. Ward's heroine is Annis, an enslaved young woman, likely a teenager, whose world ...
Zamba Zembola (born c. 1780) is the supposed author of an 1847 slave narrative, The Life and Adventures of Zamba, an African Negro King; and his Experience of Slavery in South Carolina, which describes his kidnapping and 40 years of labor as a enslaved person on a plantation in the U.S. state of South Carolina.
Between 1936 and 1938, The Works Project Administration (WPA) sent writers across the country to interview ordinary people about their experiences and life histories. [7] [8] Delia Garlic was interviewed by Margaret Fowler for the FWP, and her interview was one of hundreds that took place over the course of this project.
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