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The music of ancient Rome borrowed heavily from the music of the cultures that were conquered by the empire, including music of Greece, Egypt, and Persia. Music accompanied many areas of Roman life; including the military, entertainment in the Roman theater, religious ceremonies and practices, and "almost all public/civic occasions."
The Horus of the night deities – Twelve goddesses of each hour of the night, wearing a five-pointed star on their heads Neb-t tehen and Neb-t heru, god and goddess of the first hour of night, Apis or Hep (in reference) and Sarit-neb-s, god and goddess of the second hour of night, M'k-neb-set, goddess of the third hour of night, Aa-t-shefit or ...
Ensemble Kérylos, a music group led by scholar Annie Bélis and dedicated to the recreation of ancient Greek and Roman music. Ensemble De Organographia, Music from the Ancient Greeks, 24 recordings on historical instruments from the documents published by Pöhlmann and West. Ancient Greek music at the Austrian Academy of Sciences. Audio ...
The ancient Greeks have used the word ethos (แผθος or แผฆθος), in this context best rendered by "character" (in the sense of patterns of being and behaviour, but not necessarily with "moral" implications), to describe the ways music can convey, foster, and even generate emotional or mental states. Beyond this general description, there ...
Four copper-alloy foundation figures depicting ancient Mesopotamian gods wearing characteristic horned crowns (c. 2130 BC). The Anunnaki (Sumerian: ๐ญ๐๐ฃ๐พ, also transcribed as Anunaki, Annunaki, Anunna, Ananaki and other variations) are a group of deities of the ancient Sumerians, Akkadians, Assyrians and Babylonians.
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Sawahli (coastal) music is a type of popular Egyptian music from the country's northern coast, and is based around ancient Egyptian instrumentals, mainly the simsimiyya, which is an indigenous Egyptian stringed instrument that has its roots in ancient Egypt, it---the simsimiyya---was probably introduced to the country's northern coast from the ...
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."