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The earliest evidence of Mohiniyattam, or a Mohiniyattam-like dance tradition is found in temple sculpture of Kerala. The 11th century Vishnu temple at Trikodithanam, and the Kidangur Subramanya temple, have several sculptures of female dancers in Mohiniyattam pose. [22]
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Kalamandalam Kallyanikutty Amma (1915 – 1999) was an epoch-making Mohiniyattam danseuse from Kerala in southern India. [1] A native of Thirunavaya in Malappuram district of the state, she was instrumental in resurrecting Mohiniyattam from a dismal, near-extinct state into a mainstream Indian classical dance, rendering it formal structure and ornamentation.
She also tried to add more spice into the presentation of the dance form by evoking drama through exaggerated body kinetics through mudras (palm and finger gestures), poses and steps, which at times, have also attracted criticism. [5] [7] Another major contribution of Satyabhama is the changes she has brought to the Mohiniyattam costumes. [7]
In 1994, she started Lasya Academy of Mohiniyattam at Thrissur. In 2000, she started doing choreographies in Mohiniyattam. Her Ritu-Raga is a fusion of Bengali and Kerala forms, Rabindra Sangeeth with Kerala's Sopanam music. [3] In February 2009, she conducted a workshop for Bangladeshi dancers at Dhaka. [4]
The Mohiniyattam of Kerala is an example of the Lasya dance Nupi Challi Pareng (basic feminine movement) Lasya forms important part of Manipuri dance. Sanskrit term for a female dance Lasya ( Sanskrit : लास्य , romanized : Lāsya ) is a female dance form that originated in India . [ 1 ]
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She is a member of the UNESCO International Dance Council, and has conducted her performances for WHO delegates, SAARC delegates, diplomats, Soviet representatives, and others. [2] To explore the depths of Mohiniyattom, she has undertaken extensive research, and re-organized the basic steps, jewellery and costumes worn by Mohiniyattom dancers ...