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A poetry collection is often a compilation of several poems by one poet to be published in a single volume or chapbook. A collection can include any number of poems, ranging from a few (e.g. the four long poems in T. S. Eliot 's Four Quartets ) to several hundred poems (as is often seen in collections of haiku ).
A full-text database or a complete-text database is a database that contains the complete text of books, dissertations, journals, magazines, newspapers or other kinds of textual documents. They differ from bibliographic databases (which contain only bibliographical metadata , including abstracts in some cases) and non-bibliographic databases ...
In text retrieval, full-text search refers to techniques for searching a single computer-stored document or a collection in a full-text database. Full-text search is distinguished from searches based on metadata or on parts of the original texts represented in databases (such as titles, abstracts, selected sections, or bibliographical references).
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
A 1930s edition of the anthology. The Three Hundred Tang Poems is an anthology of poems from the Chinese Tang dynasty (618–907). It was first compiled around 1763 by Sun Zhu (1722–1778 [1]), who was a Qing Dynasty scholar and was also known as Hengtang Tuishi (蘅塘退士, "Retired Master of Hengtang").
Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
Complete Tang Poems (or Quan Tangshi) is the largest collection of Tang poetry, containing some 49,000 lyric poems by more than twenty-two hundred poets. In 1705, it was commissioned at the direction of the Qing dynasty Kangxi Emperor and published under his name. [ 1 ]
The two tones he generally avoids—on principle, I imagine, and by temperament—are the prophetic and the denunciatory, those standbys of political poetry. It is arresting to find a poetry so conscious of cultural and social facts which nonetheless remains chiefly a poetry of awareness, observation, and sorrow." [11]