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Resurrection of Christ is a painting by the Italian Renaissance artist Giovanni Bellini. The painting is estimated to be created sometime between 1475 and 1479. The painting was created on poplar wood, then transferred to canvas. [1] The Resurrection of Christ's dimensions are in total 148 x 128 cm (which is 58 in x 50 in). [1]
Giovanni Battista Moroni (c. 1520-1524 [1] – 5 February 1578) was an Italian painter of the Mannerism. He also is called Giambattista Moroni . Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of the Cinquecento .
Portrait of a Lady, also known as The Lady in Red (Italian: Dama in Rosso) is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from c. 1556–1560. It is believed to depict Countess Lucia Albani Avogadro, a 16th-century Italian poet. It is held in the National Gallery, in London. [1] [2]
The portrait depicts Jesus Christ, raising his right hand while gripping a red staff with the other. Christ's wounds are slightly visible on his hand as well as his chest. The shadows indicate the reality of his Resurrection. Meanwhile, the landscape in the background contains many motifs signifying the Resurrection.
Pages in category "Paintings by Giovanni Battista Moroni" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. K.
Brembati gained widespread acclaim for her poetry. After her death in 1586, a book of poems titled Rime funerali di diversi illustri ingegni composte in volgare et latina favella in morte della molto illustre signora Isotta Brembati-Grumelli was published to commemorate her.
The Portrait of a Man Holding a Letter, also known as The Lawyer, is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1570-1572. It is held at the National Gallery, in London. It is considered one of the most representative paintings of the artist's maturity. [1] [2] [3]
Virgin in Glory. Virgin in Glory with Saints is an oil painting on panel executed ca. 1510–1515 by the Italian Renaissance master Giovanni Bellini and probably also his studio, now in the Gallerie dell'Accademia in Venice.