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Grimace (fl. mid-to-late 14th century; French:; also Grymace, Grimache or Magister Grimache) was a French composer-poet in the ars nova style of late medieval music. Virtually nothing is known about Grimace's life other than speculative information based on the circumstances and content of his five surviving compositions of formes fixes ; three ...
Quite a few of these words can further trace their origins back to a Germanic source (usually Frankish [1]), making them cognate with many native English words from Old English, yielding etymological twins. Many of these are Franco-German words, or French words of Germanic origin. [2]
The song occurs in the chalk-drawing outing animated sequence, just after Mary Poppins wins a horse race.Flush with her victory, she is immediately surrounded by reporters who pepper her with questions and suggest that she is at a loss for words.
Grimace may refer to: A type of facial expression usually of disgust, disapproval, or pain; Grimace (composer), a French composer active in the mid-to-late 14th century; Grimace (character), a McDonaldland marketing character developed to promote the restaurant's milkshakes; Grimace scale, a method of assessing the occurrence or severity of pain
in music theory, a cognate set is a type of cyclic set in historical linguistics , a cognate set is a set of cognates , i.e. of words descended from the same etymon . Topics referred to by the same term
Grimace has taken the world by storm since McDonald’s brought back the iconic character last month. The friendly, purple blob-like creature, who celebrated his 52nd birthday this year, ...
In 2016 a recording was made by an Irish band Glaslevin as a fund-raiser for Celtic F.C.'s ultras supporters group Green Brigade, and in February 2024 members of the group were being encouraged to sing the song as a gesture of support for Palestine, with a statement: "'Grace' is a song of love, hope, loss, pain, steadfastness, resistance and ...
In comparative linguistics, Meillet's principle (/ m eɪ. ˈ j eɪ z / may-YAYZ), also known as the three-witness principle or three-language principle, states that apparent cognates must be attested in at least three different, non-contiguous daughter languages in order to be used in linguistic reconstruction.