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At this time, the pelerine was styled as a short cape-like garment, which crossed the chest and fastened to the back of the waist. [ 4 ] Pelerines became particularly popular as a decorative accessory in the early 19th century, when layered muslin pelerines were deemed fashionable in the 1830s , worn draped over the top of the large gigot (or ...
Gowns were worn early in the period, but fell out of fashion in the 1620s. Short cloaks or capes, usually hip-length, often with sleeves, were worn by fashionable men, usually slung artistically over the left shoulder, even indoors; a fashion of the 1630s matched the cape fabric to the breeches and its lining to the doublet. Long cloaks were ...
With the new narrower sleeves, coats and jackets returned to fashion. These were generally knee-length with a cape-like collar. Ankle-length cloaks with cape-collars to cover slits for the arms were worn in cold or wet weather. Ermine muffs with attached handkerchiefs were worn to keep hands warm and be fashionable. [4]
1860s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; 1850s and 1860s Fashion; 1860s Men's Fashions — c. 1860 Men's Fashion Photos with Annotations; Fashonik Updos for long hair Archived 2016-05-20 at the Wayback Machine; 1864 Wedding Dress — Metropolitan Museum of Art Costume Institute
This fashion was short-lived (though the bustle would return again in the mid-1880s), and was succeeded by a tight-fitting silhouette with fullness as low as the knees: the cuirass bodice, a form-fitting, long-waisted, boned bodice that reached below the hips, and the princess sheath dress. Sleeves were very tight fitting.
The woman behind all those puffs and ruffles is costume designer Holly Waddington, who has worked on films like Lady Macbeth and the Hulu series The Great (created by Tony McNamara, who wrote Poor ...
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