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Masks of any type are called tal (Korean: 탈) in Korean, but they are also known by many others names such as gamyeon, gwangdae, chorani, talbak and talbagaji. Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair.
Starting late September and running over a week, it features performances by many Korean and international mask dance companies, as well as contests, plays, mask making workshops and concerts to name a few of the available attractions. It is part of the Korean Folk Arts festival, which celebrated its 45th anniversary in 2016. [16]
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong (처용, 處容), a son of the Dragon King of the Eastern Sea. [1] It is also the oldest surviving Korean court dance created during the Unified Silla period.
South Korea's KF94 face mask is comparable to both the American N95 and Chinese KN95.
Talchum (Korean: 탈춤) is a Korean dance performed while wearing a mask, and often involves singing and dancing.. Although the term talchum is usually taken to mean all mask dance dramas by most Koreans, it is strictly speaking a regional term originally only applied to dances of Hwanghae Province in present-day North Korea.
Songpasandae-nori (Korean: 송파산대놀이) is a type of sandae noli, Korean traditional mask play which has been handed down in the neighborhoods of Songpa-dong [1] and Garak-dong in modern-day Seoul, South Korea. Sandae Noli is a mask dance that developed in Seoul and the mid of metropolitan region. [2] [3]
The village is a UNESCO World Heritage Site, the dance-drama an Important Intangible Cultural Property, and a collection of thirteen (13) masks are a National Treasure. The ritual shares some of the major themes of Korean masked drama and Korean shamanism, namely satire and the ridicule of apostate Buddhist priests and the nobility. [1] [2] [3]
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