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The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Market woman wearing a black partlet with a white lining over a reddish kirtle, Netherlandish, 1567. A partlet (or partlett) was a 16th-century fashion accessory.The partlet was a sleeveless garment worn over the neck and shoulders, either worn over a dress or worn to fill in a low neckline.
[11] [4] The white or black-and-red satin stitch or pattern darning embroidery either covered the sleeve completely, or was added only to the top part. [11] [4] Western Volhynians added a thin string of embroidered ornament near the sleeve trimming. [11] [4] The sleeves could be finished with a pulled or ruffled cuff, or be shortened and left ...
Puffed or puff sleeve: A short, ¾ length or full sleeve that is gathered at the top and bottom, now most often seen on wedding and children's clothing Raglan sleeve: A sleeve that extends to the neckline allowing easier movement Set-in sleeve: A sleeve sewn into an armhole - also known as a "Drop Sleeve" Short sleeve
Portrait of a woman wearing a heavily ruffled cap, 1789 Mechanical ruffler by Singer, used on domestic sewing machines. In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff , which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or ...
The long, tight sleeves of the early 17th century grew shorter, fuller, and looser. A common style of the 1620s and 1630s was the virago sleeve, a full, slashed sleeve gathered into two puffs by a ribbon or other trim above the elbow. In France and England, lightweight bright or pastel-coloured satins replaced dark, heavy fabrics.
This style of sleeve appeared towards the 1430s and it is at this time, that in French, the term "houppelande" gets replaced by the word "robe" or gown. [9] A side-less and sleeveless houppelande, called a giornea in Italy and a journade in France, [41] was popular. It was usually pleated and was worn hanging loose or belted.
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