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The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing. [1] The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way.
Interior architecture is the design of a building or shelter from inside out, or the design of a new interior for a type of home that can be fixed. It can refer to the initial design and plan used for a building's interior, to that interior's later redesign made to accommodate a changed purpose, or to the significant revision of an original ...
Polite architecture, or "the Polite" in architectural theory comprises buildings designed to include non-local styles for aesthetically pleasing decorative effect by professional architects. The term groups most named current architectural styles and can be used to describe many non- vernacular architectural styles.
A beautiful home isn't just fancy furniture and aesthetically pleasing decor. It's also functionality; ingenious decisions, elevating good design to a truly modern classic. And where better to ...
A new art form struggling for acceptance is digital art, a by-product of computer programming that raises new questions about what truly constitutes art.Although paralleling many of the aesthetics in traditional media, digital art can additionally draw upon the aesthetic qualities of cross-media tactile relationships; interactivity; autonomous generativity; complexity and interdependence of ...
The adherents of machine aesthetic called for elimination of traditional for architecture (and furniture design) structural distinctions between load and support. For example, in the Red and Blue Chair (1917) the (red) back plays the role of the load (supported by a crossbar underneath the seat) and provides support for the arms at the same ...
An alternative architectural theory based on scientific laws, as for example A Theory of Architecture is now competing with purely aesthetic theories most common in architectural academia. This entire body of work can be seen as balancing and often questioning design movements that rely primarily upon aesthetics and novelty.
The 1936 Berlin Olympiastadion as it appeared in 1993. Ruin value (German: Ruinenwert) is the concept that a building be designed in such a way that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all.
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