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"Clair de lune" (Debussy), a piano piece by Debussy, third movement of his Suite bergamasque, L. 75 (1905), inspired by the Verlaine poem "Clair de lune" (Fauré), setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Claire de Lune", by Abel Decaux (1907)
Passepied had first been composed under the title Pavane, while Clair de lune was originally entitled Promenade sentimentale. These names come from poems by Paul Verlaine. [1] The title of the third movement of Suite bergamasque is taken from Verlaine's poem "Clair de lune", which refers to bergamasks in the opening stanza: [1]
Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
Debussy, a lifelong admirer of Verlaine's poetry, had taken a copy of the collection with him when he went to study in Rome in 1885. [1] Although other composers, from Gabriel Fauré to Benjamin Britten set Verlaine's poetry, Debussy, according to the Grove Dictionary of Music and Musicians, was the first composer of any importance to do so. [2]
Claude Debussy's classical piece "Clair de Lune" served as the intro to the album's closing ballad, "Ballerina". The version of "Clair de Lune" on Crystal Ball features only DeYoung on piano, with the key changed from D flat to C, as the next track ("Ballerina") begins in C minor.
[14] [15] [16] He also collaborated with Debussy in the orchestration of La boîte à joujoux. In 1911, Caplet prepared an orchestration of Debussy's Children's Corner, which, along with his orchestration of Clair de lune from the Suite bergamasque is probably the most widely performed and recorded example of his work. [g]
Claude Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centers.
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
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