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Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together. In Western musical notation, a dotted note is a note with a small dot written after it. [a] In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value.
Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters—use of more than two dots is rare. Rests can be dotted in the same manner as notes. Ghost note A ghost note has a rhythmic value but no discernible pitch.
A note value may be augmented by adding a dot after it. This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots ( n ) lengthen the note value by 2 n − 1 / 2 n its value, so two dots add two lower note values, making a total of one and three quarters times its original duration.
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
Most commonly, in simple time signatures, the beat is the same as the note value of the signature, but in compound signatures, the beat is usually a dotted note value corresponding to three of the signature's note values. Either way, the next lower note value shorter than the beat is called the subdivision. On occasion a bar may seem like one ...
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
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the lack of multiple notes should not be seen as having more expressiveness. Bach also suggested the slide could have a dotted rhythm, enhancing its expressiveness. [6] As quoted by Donington, Johann Joachim Quantz (1752) indicated that undotted slides belong to the French style, whereas dotted slides are appropriate to Italian style. [1]