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Soul Music is a fantasy novel by British writer Terry Pratchett, the sixteenth book in the Discworld series, first published in 1994. Like many of Pratchett's novels it introduces an element of modern society into the magical and vaguely late medieval, early modern world of the Discworld, in this case Rock and Roll music and stardom, with near disastrous consequences.
Like his previous five albums, Soulbook features Stewart singing old material; for this album he sings classic material from Motown and the soul genre. It was released on 17 October 2009 and was produced by Steve Tyrell , Steven Jordan and Chuck Kentis.
In the book A to X of Alternative Music, "Touch Me" was described as a "solid gold soul classic". [1] Writing for AllMusic, critic Jason Elias wrote that the song has "the style of pop and pure lounge." [13] Some critics suggested the track blends pop [14] with psychedelic rock; a combination which was unique at the time. [9]
Vince Gill wrote this touching song after experiencing profound loss in his life. Released in 1995, the song is one of Gill's most memorable ballads and includes backing vocals by Ricky Skaggs and ...
Alongside being used as the album's title, the phrase "mercury falling" appears as the first and last lyrics heard on the album. The lyric was the first written for the album (for "The Hounds of Winter"), and Sting later felt the phrase evoked the mood of the record and its variety of styles: "there are so many styles on this record and it darts around from genre to genre and back again.
1. “We Are Family” by Sister Sledge. Release Year: 1979 Genre: R&B/Soul This bumping disco hit from Sister Sledge is an obvious feel-good choice for a family playlist and a shoo-in for any ...
"You Still Touch Me" is a song by the English musician Sting, released as the second single from his fifth studio album Mercury Falling. Featuring a distinct soul influence, the song reached number 27 in Sting's native UK, becoming the second of three singles from the album to reach the top 40.
His recording of a song from the Salvation score, "(If You Let Me Make Love to You Then) Why Can't I Touch You?", successfully launched his record career, breaking into the Top 10 of the US Billboard Hot 100, peaking at number eight in 1970. [2] The follow-up, "I Don't Wanna Cry", was a US R&B hit, [2] climbing to number nine.