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Our Own Oddities is an illustrated panel that ran in the Sunday comics section of the St. Louis Post-Dispatch from September 1, 1940 to February 24, 1991. [1] The feature displayed curiosities submitted by local readers and is often remembered for its drawings of freakish produce, such as a potato that resembled Richard Nixon.
The St. Louis Post-Dispatch is a regional newspaper based in St. Louis, Missouri, serving the St. Louis metropolitan area.It is the largest daily newspaper in the metropolitan area by circulation, surpassing the Belleville News-Democrat, Alton Telegraph, and Edwardsville Intelligencer.
Richard Beebe Dudman (May 3, 1918 – August 3, 2017) was an American journalist who spent 31 years with the St. Louis Post-Dispatch during which time he covered Fidel Castro's insurgency in Cuba, the assassination of President John F. Kennedy, the invasion of Cuba at the Bay of Pigs, the Watergate scandal, the Iran-Contra scandal, the Khmer Rouge, and wars and revolutions in Latin America ...
St. Louis Post-Dispatch - St. Louis; St. Louis Reveille - St. Louis [6] [7] The Beacon (Kansas City) - Kansas City metropolitan area; The Carthage Press - Carthage; The Daily Star-Journal - Warrensburg; The Kaleidoscope Weekly - St. James; The Kansas City Star - Kansas City; The Leader - Festus; The Lebanon Daily Record - Lebanon; The Mexico ...
Marguerite Martyn (September 26, 1878 – April 17, 1948) was an American journalist and political cartoonist with the St. Louis Post-Dispatch in the early 20th century. She was noted as much for her published sketches as for her articles.
A native of St. Louis, Missouri, Viets has a degree in journalism and became a longtime popular media figure in St. Louis.She was a regular columnist for the St. Louis Post-Dispatch for twenty-five years, [1] her columns focusing mostly on local issues and human-interest fare.
Amadee Wohlschlaeger (December 3, 1911 – June 24, 2014) was a 20th-century American sports cartoonist in St. Louis. He was known professionally as simply "Amadee", which was how he signed his cartoons. He was a long-time sports cartoonist for the St. Louis Post-Dispatch, in an era when newspaper sports pages usually included a prominent ...
After the War, Berg worked for the St. Louis Post-Dispatch New York bureau from 1952-1972, when the newspaper closed the office and recalled him to St. Louis. [7] Commentary on his newspaper work appeared frequently in Popular Photography magazine, used as an example of a creative approach to reportage and documentary work.
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