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The song is performed in the key of E minor [5] and Attwood sees the desolate lyrical landscape as being reflected in the descending chord progression of the music: "the chords of E minor and D rock back and forth, and the verse ends with a descent of E minor, D major, B minor, A major – and the descent is a descent in every respect. It feels ...
Hinchliffe explains to the Chicago Tribune why the Ukulele was chosen — "It has a sweet voice, it's cheap and easy to play, and you can carry it as hand luggage" and because the ukulele has no repertory of its own "it allows us to do things that are both entertaining and creative without having to meet the technical requirements of being ...
"Have a Cuppa Tea" is a song written by Ray Davies and performed by the Kinks on their 1971 album Muswell Hillbillies. Like many Kinks songs, it is stylistically influenced by the British Music Hall. It also has a slight country influence—with the mesh of these two styles being a hallmark of the album. It is believed to be about Ray and Dave ...
"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a ...
If you have a full-bodied white wine, like Chardonnay, it may go bad quicker. Rose Wine Just like light white wines, your favorite rose wine will last about three to five days after opening.
Alumnus Anudeep Revuri, 23, of New Brunswick, allegedly developed the closed network used by the group to sell narcotics to other Rutgers students.
WEST PALM BEACH, Florida, SAN FRANCISCO (Reuters) -Prominent investor Scott Bessent met with Donald Trump on Friday as he and fellow investor John Paulson emerge as leading candidates for the key ...
The song was one of a few Dylan attempted to record with a full band (Eric Weissberg and Deliverance) at the album's initial September 1974 sessions in New York.Multiple versions were attempted, including a slow ballad arrangement, but ultimately Dylan opted - as he did with most of the tracks from these sessions - for a near-solo acoustic arrangement backed only by Deliverance bassist Tony Brown.