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The original editor of The Arden Shakespeare was William James Craig (1899–1906), succeeded by R. H. Case (1909–1944). [5] The text of The Arden Shakespeare, First series, was based on the 1864 "Globe" or Cambridge edition of Shakespeare's Complete Works, edited by William George Clark and John Glover, [6] as revised in 1891–93. [7]
Burns' predecessor however, Andrew S. Cairncross, editor of the play for the Arden Shakespeare 2nd series in 1962, ascribes the entire play to Shakespeare, as does Lawrence V. Ryan in his 1967 Signet Classic Shakespeare edition, and Michael Hattaway in his New Cambridge Shakespeare edition of 1990. In his 1952 edition of the play, Dover Wilson ...
In his 1995 edition of the play for the Arden Shakespeare 3rd series, Jonathan Bate argued that Shakespeare almost certainly wrote the play alone. However, since that time, Bate has come out in support of Brian Vickers' 2002 book Shakespeare, Co-Author which restates the case for Peele as the author of Act 1. [38]
For the Jessica–Shylock relationship, John Drakakis, the editor of the Arden Shakespeare's third series edition, highlights the verbal connection between The Merchant of Venice and The Jew of Malta with Barabas's words when Abigail rescues his gold and Shylock's at Jessica's theft of his Ducats. [21]
On the other hand, Jonathan Bate favours Mincoff's theory of play-ballad-prose, in his 1995 edition for the Arden Shakespeare (3rd series). [36] In the introduction to the 2001 edition of the play for the Penguin Shakespeare (edited by Sonia Massai), Jacques Berthoud agrees with Waith and settles on the initial prose-play-ballad sequence. [37]
Walton, Nicholas (ed.) Love's Labour's Lost (The New Penguin Shakespeare 2nd edition; London: Penguin, 2005) ... Arden Shakespeare, 3rd series. London: Arden.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
The first major publishing house to produce an edition of the play was Yale University Press, in 1996; Cambridge University Press published an edition two years later as part of its New Cambridge Shakespeare series. Since then, an edition of the Riverside Shakespeare has included the play, as has the Arden Shakespeare in its Third Series (2017 ...
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