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Marathi used to have a /t͡sʰ/ but it merged with /s/. [4] Some speakers pronounce /d͡z, d͡zʱ/ as fricatives but the aspiration is maintained in /zʱ/. [4] A defining feature of the Marathi language is the split of Indo-Aryan ल /la/ into a retroflex lateral flap ळ (ḷa) and alveolar ल (la). It shares this feature with Punjabi.
This is the pronunciation key for IPA transcriptions of Marathi on Wikipedia. It provides a set of symbols to represent the pronunciation of Marathi in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
The European harmonium developed in the 18th century, inspired by the Chinese sheng, a gourd mouth organ. [3] Various types of European harmoniums and reed-organs arrived in India in the 19th century, some were brought by missionaries. [2] [1] The Indian harmonium is derived from reed organ designs developed in France.
The Harmonium replaced the Sarangi in the early 20th century and went through tough times as it first was banned as accompanying instrument by All India Radio (A.I.R). Hindustani classical music exponents such as Walawalkar (and many others) established the Harmonium as solo instrument in Indian Classical music. [3] [10]
Oke, a renowned third generation harmonium artist [1] [2] [5] playing the instrument since the age of four, [4] later learned from the maestro late Pandit Govindrao Patwardhan [2] [5] for 25 years [3] to become an ace Harmonium player. [6] His first public performance was a harmonium solo in 1972 on Mumbai Doordarshan. [5]
Tribal fiddle instruments called "Dhodro Banam" used by Santhal people in Eastern India. Chikara; Dhantara; Dilruba; Ektara violin; Esraj; Kamaicha; Kingri (string instrument)
Historically, the retroflex lateral approximant (ळ /ɭ/ ) existed in Vedic Sanskrit and was lost in Classical Sanskrit.Today the Indo-Aryan languages in which it exists are Marathi and Konkani (ळ), Oriya (ଳ), Gujarati (ળ), most varieties of Rajasthani, Bhili, some dialects of Punjabi language (ਲ਼), most dialects of Western Pahari, Kumaoni, Haryanavi, and the Saharanpur dialect of ...
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.