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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Schacht's early black-and-white drawings, executed in both simple outline or complex, delicate pencil, mix abstract and representational imagery in a stream-of-conscious style. [ 22 ] [ 9 ] [ 24 ] They are structured by a wide set of symbols (e.g., stars, eyes, trees, breasts, penises, vaginas), which serve as a personal shorthand to explore ...
As drawing techniques evolved, artists combined red chalk with other chalks, including white chalk. The use of white chalk allowed artists to enhance lighting effects in their drawings. However, since white chalk was barely visible on white paper or parchment, artists began to use a toned background to allow the technique to work effectively.
Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Norman Lewis was the only African-American artist among the first generation of abstract expressionists, but his work was overlooked by both White and African-American art dealers and gallery owners. [11] In his last 20 years, Lewis created and developed his very own unique blending of abstraction and figuration.
Painting Number 2 (1954), The Museum of Modern Art. Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.
The Stations of the Cross series of black and white paintings (1958–1966), begun shortly after Newman had recovered from a heart attack, usually is regarded as the peak of his achievement. The series is subtitled Lema sabachthani - "Why have you forsaken me" - the last words spoken by Jesus on the cross, according to the New Testament .