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Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
Häns'che Weiss, famous for his Gypsy jazz style, won the Deutscher Schallplattenpreis Hüsnü Şenlendirici – Turkish musician Ion Voicu (1923–1997) – Romanian violinist and orchestral conductor, founder of Bucharest Chamber Orchestra
Mihail Jora (1891–1971), "the father of Romanian ballet"; works include Intoarcerea din adâncuri and La piață; Nicolae Kirculescu (1903–1985), composer of theatre and film music, including the theme of the television programme Teleenciclopedia; Dumitru Georgescu Kiriac (1866–1928) Dinu Lipatti (1917–1950), pianist and composer
Since the 1970s, songs and albums released by Romanian [A] artists have charted and received certifications in the world's largest music markets. [B] The first Romanian artist to chart in such markets was the nai player Gheorghe Zamfir. His studio albums Music by Candlelight (1978) and Traumland der Panflöte (1979) peaked at number two in the ...
Gypsy music may refer to: Gypsy music, also known as Gypsy style, Romani-related music played in a characteristic gypsy style and Romani music, the original music of the Romani people; Gypsy jazz, jazz played by Romani people; Gypsy punk, a hybrid of Romani music and punk rock; Gypsy scale, a musical scale sometimes found in Romani music
This is a list of Romanian singers. The list includes both people known in Romania as singers, and singers from other countries who have Romanian ancestry ...
Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community. It consists mainly of instrumentals and usually performed by strings, except in the Romanian variant where the pan flute is the main instrument.
The group was originally named by Raoul Weiss and Lóránd Boros for concerts held between 2006 and 2008 at Café Aux Anges (a concert venue in Cluj-Napoca, Romania managed by Raoul Weiss), following the widespread use of this phrase in the English-speaking folk community in Budapest and in Hungarian diaspora, e.g. in Bob Cohen's online contributions to the study and promotion of this peculiar ...