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  2. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    There are also minor twelve-bar blues, such as John Coltrane's "Equinox" and "Mr. P.C.". [10] The chord on the fifth scale degree may be major (V 7 ) or minor (v 7 ). [ 10 ] Major and minor can also be mixed together, a signature characteristic of the music of Charles Brown .

  3. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In rock and blues, musicians also often refer to chord progressions using Roman numerals, as this facilitates transposing a song to a new key. For example, rock and blues musicians often think of the 12-bar blues as consisting of I, IV, and V chords. Thus, a simple version of the 12-bar blues might be expressed as I–I–I–I, IV–IV–I–I ...

  5. Three-chord song - Wikipedia

    en.wikipedia.org/wiki/Three-chord_song

    A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.

  6. Bird changes - Wikipedia

    en.wikipedia.org/wiki/Bird_changes

    The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".

  7. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    The sixteen-bar blues can be a variation on the ... the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12 ...

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  9. All Blues - Wikipedia

    en.wikipedia.org/wiki/All_Blues

    It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is an E ♭ 7. "All Blues" is an example of modal blues in G Mixolydian. [2] [clarification needed]

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