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A Gibson Lucille model semi-acoustic guitar, unique for having no f-holes. Lucille is the name American blues musician B. B. King (1925–2015) gave to his guitars. They were usually black Gibson guitars similar to the ES-330 or ES-355, and Gibson introduced a B.B. King custom model in 1980, based upon the latter.
The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation. The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap. Many of the original numbers referred to the price, in dollars, of the model.
B. B. King used many different Gibson models, including an ES-5 and an ES-175 early in his career; later he began using thinline hollow-body (ES-330) and semi-hollow (aka "semi-acoustic") models (ES-335 and ES-345.) King's Signature ES-355, nicknamed Lucille, was his main guitar for many years.
In 1949 the ES-175 was introduced by the Gibson Guitar company. It experienced immediate success and became one of Gibson's most popular guitar designs. In Adrian Ingram's book The Gibson ES175: Its History And Players he states that Gibson sold 37,000 of the guitars in its first fifty years of production. The first ES-175s were released with a ...
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
When reintroduced in 1946 it had the larger 16.25" wide body that the ES-150 had. The unbound rosewood fingerboard initially sported pearl trapezoid inlays; later, it would have dot inlays. In the mid-1950s, the ES-125T was introduced, which was an entry-level thinline archtop electric guitar based on the original ES-125.
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