Search results
Results from the WOW.Com Content Network
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
She was a Professor of English and Comparative Literature and the Fredric Wertham Professor of Law and Psychiatry in Society at Harvard University. She studied at Yale University while the Yale School of deconstruction was in ascendence. Much of her work centered on social subordination, identity politics, literary theory, and deconstruction. [36]
One of the many difficulties of expressing Jacques Derrida's project (deconstruction) in simple terms is the enormous scale of it.Just to understand the context of Derrida's theory, one needs to be acquainted intimately with philosophers such as Socrates–Plato–Aristotle, René Descartes, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Charles Sanders Peirce, Jean-Jacques Rousseau, Karl Marx ...
Deconstruction is a critical outlook concerned with the relationship between text and meaning. Jacques Derrida 's 1967 work Of Grammatology introduced the majority of ideas influential within deconstruction.
Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
In her 1990 essay, "Writing" (in Critical Terms for Literary Study), Johnson outlines the importance of theory to analyses of literature.She argues that the history of writing (l'écriture) is an important philosophical, political, and psychoanalytical concept in twentieth-century French thought.
He’d read about Derrida’s post-modernist theory of deconstruction somewhere and decided to see what happened if he applied the French philosopher’s idea to music. How do songs’ components ...
"The Resistance to Theory" is an essay by Paul de Man (1919–83), a renowned literary critic and theorist belonging to the Yale School of Deconstruction, which appeared in Yale French Studies 63 (1982) and was widely anthologized. The essay later became part of the book by the same name.