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The collective has released three albums under the Tunnel Rats name: Experience (1996), Tunnel Vision (2001), and Tunnel Rats (2004). They also collaborated on a compilation album released through Uprock Records, Underground Rise, Volume 1: Sunrise/Sunset (2003).
It should only contain pages that are Tunnel Rats (music group) albums or lists of Tunnel Rats (music group) albums, as well as subcategories containing those things (themselves set categories). Topics about Tunnel Rats (music group) albums in general should be placed in relevant topic categories .
Tunnel Rats is a West Coast underground hip hop collective founded in 1993 in Whittier, California.Named after the tunnel rats in the Vietnam War, the mixed-gender, multi-racial collective consists of some seventeen individual members and incorporates four affiliated groups, LPG, Future Shock, Foundation, and New Breed, which have recorded both within Tunnel Rats and independently.
The next year, Tunnel Rats released its first album, Experience. [1] LPG released a second album, 360 Degrees, in 1998, [5] and Tunnel Rats released the groundbreaking Tunnel Vision through Uprok Records in 2001. [1] LPG dropped The Gadfly in 2003, [6] and Tunnel Rats led the Uprok compilation Underground Rise, Volume 1: Sunrise/Sunset. [7]
Tunnel rat or similar can mean: Tunnel rat in the Vietnam War; 1968 Tunnel Rats, a 2008 film; Tunnel Rats (video game), a videogame based on the movie; Tunnel Rat (G.I. Joe), a fictional character in the G.I. Joe universe; Tunnel Rats (music group), an underground hip hop collective Tunnel Rats, the third album by Tunnel Rats
[2] He learned to rap, and also took up dance, graffiti, and formal drawing and painting. [3] Discovered by underground hip hop collective Tunnel Rats, he made his debut in 2002 on Speak Life by Sev Statik. [4] In 2003, Petty joined the Tunnel Rats, and on April 8, 2003, released his solo debut album with UpRok Records, entitled Out of Knowhere.
Tunnel Rats formed in Los Angeles county in 1993 after group leader and founder Dax Reynosa held an open mike at his house. [1] Committed to ministry and sharing the Gospel, the group eschewed joining a major, corporate record label, which could have suppressed its artistic and ministry potential, and preferred instead to take a more underground approach. [2]
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