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The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
Records that sound dead quiet on a conventional turntable could sound as if I was munching potato chips while listening to the ELP. Bummer. There's a solution, of course: a record-cleaning machine. This can't be considered an 'accessory' with the LT: it's mandatory. Even new records fresh out of the jacket can sound crunchy." [20] Fremer concludes:
Sometimes bands might make a picture jacket for their record. Again, usually it is cost prohibitive to make less than one thousand jackets. The average cost for manufacturing a 7" record with a picture jacket is approximately $2.50, at a run of one thousand records and jackets - if one uses any of the large manufacturing plants.
Cutaway shot of one side of a 7" record mould with stamper fitted. A record press or stamper is a machine for manufacturing vinyl records. It is essentially a hydraulic press fitted with thin nickel stampers which are negative impressions of a master disc. [1] Labels and a pre-heated vinyl patty (or biscuit) are placed in a heated mold cavity ...
Three vinyl records of different formats, from left to right: a 12 inch LP, a 10 inch LP, a 7 inch single. A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove.
In the vinyl record manufacturing process, a lacquer master disc is cut and electroforming is used to make negative metal molds from it; certain molds are converted into stampers, can be used to press thousands of vinyl copies of the master. Within the vinyl record industry, lacquers, sometimes called 'acetates' or 'refs', are also used for ...
At the time, as a cost-cutting measure, most industry record pressing plants were using recycled or "reground" vinyl, taking old and unsold records, cutting out the center with the paper labels, then melting the rest down and reusing the material to make new records. Such "reground" vinyl records typically sounded much noisier and scratchier ...
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.
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