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The National Serigraph Society was founded in 1940 by a group of artists involved in the WPA Federal Art Project, including Anthony Velonis, Max Arthur Cohn, and Hyman Warsager. [ 1 ] [ 2 ] [ 3 ] The creation of the society coincided with the rise of serigraphs being used as a medium for fine art. [ 4 ]
The Society's "active program of traveling exhibits, lectures, and portfolios of prints helped to sustain and broaden interest in the serigraph". [27] The Dallas Museum of Art held several exhibits of the work of the National serigraph Society members in 1944, 1947, and 1951 [28] [29] [30]
Cohn had worked in the Works Progress Administration's (WPA) easel division and was a co-founder of the National Serigraph Society. [ 67 ] 1962 – Screen printing was given new energy as Pop art visual imagery replicated popular commercialism, notably in Andy Warhol 's Campbell's soup can images, with large scale, colorful, bold prints that ...
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The next year, Velonis, Max Arthur Cohn, Warsager, and other artists co-founded the National Serigraph Society. [ 1 ] [ 8 ] [ 21 ] It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops for a dollar apiece.
Rajer was born in 1918. [1] He was a member of the Works Progress Administration New York graphic unit where he produced serigraphs (silk screens) and woodcuts. [2] His work was included in 1944 Dallas Museum of Art exhibition of the National Serigraph Society. [3]
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A recurring subject were cable car scenes. She was a member of the National Serigraph Society, the San Francisco Art Association, and the San Francisco Women Artists. [1] She died in 1948. [2] The Bakersfield Museum of Art's former name, Cunningham Memorial Art Gallery, had been in her namesake and was founded by her family after her death. [2]