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The National Serigraph Society was founded in 1940 by a group of artists involved in the WPA Federal Art Project, including Anthony Velonis, Max Arthur Cohn, and Hyman Warsager. [ 1 ] [ 2 ] [ 3 ] The creation of the society coincided with the rise of serigraphs being used as a medium for fine art. [ 4 ]
The Society's "active program of traveling exhibits, lectures, and portfolios of prints helped to sustain and broaden interest in the serigraph". [27] The Dallas Museum of Art held several exhibits of the work of the National serigraph Society members in 1944, 1947, and 1951 [28] [29] [30]
The next year, Velonis, Max Arthur Cohn, Warsager, and other artists co-founded the National Serigraph Society. [1] [8] [21] It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops for a dollar apiece.
In the 1940s Maccoy's work was included in several of the Dallas Museum of Art exhibitions of the National Serigraph Society. [5] [6] [7] In 1947 Maccoy moved to Los Angeles, California where he taught at the Otis Art Institute and was a founder of the Western Serigraph Society. [4] He died on March 18, 1981 [1] in Los Angeles. [2]
Cohn had worked in the Works Progress Administration's (WPA) easel division and was a co-founder of the National Serigraph Society. [ 67 ] 1962 – Screen printing was given new energy as Pop art visual imagery replicated popular commercialism, notably in Andy Warhol 's Campbell's soup can images, with large scale, colorful, bold prints that ...
After becoming one of the earliest female contributing members of the National Serigraph Society, her color silkscreen works travelled with exhibitions across America, including Dallas Museum of Arts [18] in 1944, several MoMA exhibitions, and the Serigraph Society’s own Gallery on 57th St. along side Anthony Velonis, Ruth Gikow, Harry ...
She exhibited at the 1944, 1947, and 1951 Dallas Museum of Art exhibitions of the National Serigraph Society. [6] [7] [8] Chaney was in the first group of artists who received technical advice, in late 1938, on silk screen printing from Anthony Velonis, the leader of the Federal Art Project's newly established Silk Screen Unit.
He was born in Lima, Ohio and attended the Philadelphia Museum School of Industrial Art and National Academy of Design. [1] Flory wrote several children's books, created landscape paintings, and taught at the Tyler School of Art at Temple University. Flory was a member of the National Serigraph Society. [2]