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The 1897 series of color lithographs on paper featured 15 by 43 centimetres (5.9 in × 16.9 in) panels and is located at the Art Institute of Chicago. [12] The 1900 series also features color lithographs, this time sized 54.29 by 75.88 centimetres (21.37 in × 29.87 in). [13] The 1900 series is located at the Victoria & Albert Museum. [13]
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lithograph 1897 Bières de la Meuse: lithograph 1897 F. Champenois Imprimeur-Éditeur: lithograph 1897 Nestlé's Food for Infants: lithograph 1897 Savonnerie de Bagnolet: lithograph 1897 Dance: lithograph 1898 Bénédictine: lithograph 1898 Medea: lithograph 1898 The Rose: lithograph 1898 Hamlet: lithograph 1899 Moët & Chandon Crémant ...
English: A series of “four seasons” by Alfons Mucha (but not his first series created in 1896); cropped print of four panels each depicting one of the four seasons personified by a woman, originally printed in circa 1897, and made into the “Chocolat Masson” and “Chocolat Mexican” Calendar of 1897.
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
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This collection of 32 works became known to the general public through calendar and poster prints, and was widely distributed as postcards in France and abroad. Alphonse Mucha's two most famous productions, La femme blonde and La femme brune, were a huge success and are still highly sought-after by collectors today. 1897 calendar.
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