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Cornish bagpipes: an extinct type of double chanter bagpipe from Cornwall (southwest England); there are now attempts being made to revive it on the basis of literary descriptions and iconographic representations. [3] Welsh pipes (Welsh: pibe cyrn, pibgod): Of two types, one a descendant of the pibgorn, the other loosely based on the Breton ...
Brian Boru bagpipes, invented by Henry Starck, perhaps inspired by the Great Irish Warpipes, and based on great Highland bagpipe but with a keyed chanter to extend the range and add chromatic notes. Electronic bagpipes are electronic instruments with a touch-sensitive "chanter" which senses finger position and modifies its tone accordingly ...
A distinctive feature of the gaida's chanter (which it shares with a number of other Eastern European bagpipes) is the "flea-hole" (also known as a mumbler or voicer, marmorka) which is covered by the index finger of the left hand. The flea-hole is smaller than the rest and usually consists of a small tube that is made out of metal or a chicken ...
Scottish smallpipes are distinguished from the Northumbrian smallpipes by the open ended chanter, and usually by the lack of keys.This means that the sound of the chanter is continuous, rather than staccato, and that its range is only nine notes, rather than the octave and a sixth range of the later 18th/early 19th century Northumbrian pipes.
It consists of a number of finger-holes, and in its simpler forms looks similar to a recorder. On more elaborate bagpipes, such as the Northumbrian bagpipes or the Uilleann pipes, it also may have a number of keys, to increase the instrument's range and/or the number of keys (in the modal sense) it can play in. Like the rest of the bagpipe ...
The regulator keys are aligned so that several may be pressed simultaneously. These enable the piper to play simple chords, giving rhythmic and harmonic accompaniment as needed. There are also many ornaments based on multiple or single grace notes. The tone of the uilleann pipes is unlike that of many other forms of bagpipes.
The earliest known description of such an instrument in Britain is in the Talbot manuscript [7] from about 1695. The descriptions of bagpipes mentioned in this early source are reproduced in [8] One of these instruments was a bellows-blown 'Bagpipe, Scotch', with three drones, whose keyless chanter had a one-octave range from G to g, with each note being sounded by uncovering a single hole, as ...
The playing of close harmony (thirds and sixths) with two gaitas of the same key is a typical Galician gaita style. The bagpipe or gaita is known to have been popular in the Middle Ages, as early as the 9th century, but suffered a decline in popularity from the 16th century until a 19th-century revival.