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Cinematic exhibition of the B movie, defined as a relatively low-cost genre film, has declined substantially from the early 1980s to the present.Spurred by the historic success of several big-budget movies with B-style themes beginning in the mid-1970s, the major Hollywood studios moved progressively into the production of A-grade films in genres that had long been low-budget territory.
Made for television movie about the Battle of the Alamo: Desperado: Virgil W. Vogel: Alex McArthur, David Warner, Yaphet Kotto, Donald Moffat, Stephen Davies, Lise Cutter, Robert Vaughn, Gladys Knight, Pernell Roberts, Dirk Blocker: United States: B Western Django 2: Nello Rossati
The Betty Boop Movie Mystery (1989) Between Love and Hate (2006) Between Rings (2014) Between Showers (1914) Between Time and Eternity (1956) Between Time and Timbuktu (1972) Between Two Ferns: The Movie (2019) Between Two Women: (1937, 1945, 1986 TV & 2000) Between Two Worlds: (1919 & 1944) Between Us Girls (1942) The Beverly Hillbillies (1993)
The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. [1] The period was when the "high concept" picture was established by producer Don Simpson, [2] where films were expected to be easily marketable and understandable.
A B movie, or B film, is a type of cheap, low budget commercial motion picture.Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music.
H. B. Halicki: H. B. Halicki, Christopher Stone, Susan Shaw: United States: Action comedy [62] Legendary Weapons of China: Liu Chia-Liang: Alexander Fu Sheng, Lee Shao Hwa, Liu Chia-Liang: Hong Kong [63] Ninja in the Dragon's Den: Corey Yuen: Conan Lee, Hiroyuki Sanada, Hwang Jang-lee: Hong Kong Martial arts Film One Down Two to Go: Fred Williamson
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The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.
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